翻訳と辞書
Words near each other
・ Gee Bee Senior Sportster
・ Gee Bee Sportster
・ Gee Broadcast
・ Gee Creek (Washington)
・ Gee Creek Wilderness
・ Gee Cross
・ Gee Girls
・ Gee Hill
・ Gee Jon
・ Gee Langdon
・ Gee Money
・ Gee Records
・ Gee Street Records
・ Gee v Pritchard
・ Gee van Enst
Gee Vaucher
・ Gee Walker
・ Gee Whiz
・ Gee Whiz-z-z-z-z-z-z
・ Gee's golden langur
・ Gee's Slough Mound Group
・ Gee, Baby, Ain't I Good to You
・ Gee, But You're Swell
・ Gee, Kentucky
・ Gee, Mom, I Want to Go Home
・ Gee, Oklahoma
・ Gee, Your Hair Smells Terrific
・ Gee-Ann Abrahan
・ Gee-Gees Field
・ Gee-H (navigation)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Gee Vaucher : ウィキペディア英語版
Gee Vaucher

Gee Vaucher is a visual artist who was born in 1945 in Dagenham, East London (although according to ''The Story of Crass'' Gee Vaucher is not her real name).
In 1967, inspired by the film ''Inn of the Sixth Happiness'',〔''There is No Authority But Yourself'', dir. Alexander Oey, 2006〕 Vaucher and her lifelong creative partner Penny Rimbaud set up the anarchist/pacifist open house Dial House in Essex, UK, which has now become firmly established as a 'centre for radical creativity'. It was from there during the early seventies that he co-founded the Stonehenge Festival (alongside Phil Russell aka Wally Hope), as documented in his autobiography of 1998, ''Shibboleth – my revolting life''.
Her work with Anarcho-punk band Crass was ovular to the 'protest art' of the 1980s. Vaucher has always seen her work as a tool for social change, and has expressed her strong anarcho-pacifist and feminist views in her paintings and collage. Vaucher also uses surrealist styles and methods.
In Vaucher's second book, ''Animal Rites'', she gives a commentary on the relationship between animals and humans, centered on the quote "All humans are animal, but some animals are more human than others."
In the foreword to her 1999 retrospective collection ''Crass Art and Other Pre Post-Modernist Monsters'', Ian Dury writes:
''"In its original form, Gee's work is intricate and tactile, and while the imagery is sometimes almost overwhelming, the primary concerns are those of a painter; dealing with form and space. Mere newsprint would hardly do justice to its subtle tones. When the work is printed, the space becomes more simple and the graphic images take on a different life. The concerns are those of delivery, and the message is clear."''

She continues to design sleeves for Babel Label, and also designed the sleeve for The Charlatans (UK band)' ''Who We Touch'' album.〔(【引用サイトリンク】url=http://www.discogs.com/Charlatans-Who-We-Touch/release/2486571 )〕 Vaucher has exhibited at the 96 Gillespie gallery in London. In 2007 and 2008 the Jack Hanley Gallery in San Francisco and Track 16 in Santa Monica ran exhibitions entitled "Gee Vaucher: Introspective", showing a wide selection of Vaucher's work.
Vaucher's film ''Gower Boy'', made in collaboration with pianist Huw Warren, debuted at the 14th Raindance Film Festival in London in October 2006.〔(raindance.co.uk: Home )〕

==See also==

* Dial House, Essex
* Anarchism in the arts

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Gee Vaucher」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.